2010-12-01 P & R Agenda Packet - Laserfiche WebLink

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I Buy Yamaha EMX5016CF / S115V / SM15V PA System � Live Sound Packages i Musici... Page 2 of 4 is provided on the eight mono channeis with mid-frequency sweep wntrols. The mid EQ center frequency can be continuously ' ' swept from 25� Hz thraugh 5 kHz so you can precisely pinpoint frequencies in the criticat midrange. ; Ampie I/O for expansion and integration �,s � �� g t � ; AI! you need to create a powerFul, high-perFormance live sound r ! system is the Yamaha EMX5016CF, a pair of speakers or two, and ', your sources. But it does feature a range of inputs and outputs that allow it to be expanded with external gear or integrated into � �,�� — �� (YV� 1 CS' larger systems. Insert patch points on the mono input cha�neis, for example, (et you add outboard signai processing to individuat [� input channels. And although you have all the monitor power and {�@� q�� LvjC� effects you're likely to need buiit in, external aux and effect J ' sends atiow you to route the mixer's signats to external signal � `� �} ' processing and/or monitor systems as required. Stereo out, �� / �'�� ' stereo sub-out, and record outputs are aiso provided. � One-knob compression on mono channels ' ! The EMX5016CF features compressors on all monaurai microphoneJline channels that can help to make vocals ride the ; mix better, give you that smooth cqmpressed guitar sound, defiver more punchy bass, and generatly refine your mixes in a �I multitude of ways. These unique one-knob compressors are ' surprisingiy simpie to use. There are no multiple attack, threshold, makeup gain, and other controls — just set the COMP '- controi to the amount of compression you need. ' 9-band digital graphFc EQ with presets & memory ; ' This advanced digitai 9-band stereo graphic equalizer goes way ' beyond conventional analog types with a refined controf !� interface, instant-recall presets, and user memory Ipcations. It ' ; aiso works with the console's innovative Frequency Response ' Correction system (see below} for unprecedented response- shaping control. Of course you can manualiy adjust each band as ' required from scratch, but you can also use one of the presets — I vocai, dance, or speech — as a starting point and edit from there. ' �`{�. + , ` You also have three user memories into which you can store your �1 � 1 �r� � ��U� �� C I ! own EQ curves for instant recali whenever needed. ' � / �� " FRC (Frequency Response Correction) Sys+tem ' �� ?GK-:ei '� t G 3�� Setting a live sound system's output equalizer to optimally match • � �� room response is normally a complicated process requiring noise generators, calibrated microphones, real-time analyzers, and a ,,( � iC Y.i __ �� c'� i ! great deai of time and experience. The EMX50i6CF mixing f C\(:.1G �� ! � console handles the entire process automaticaily, using either pink noise or a recorded music source you supply. To precisely � ; match the system's response to the room you're in all you need � C ��,� �( ' to do is set up a microphone in an appropriate location, connect it ' to channel 1, and press the measure/correct button once to make ' �S ,^k. �� C�(r�'S � the measurement, and then again to automatically set the ��C- w, �,� �.,Ik . i� � s� graphic equalizer for optimized response. The EQ setting can then ' �%�� Lp a` ; be stored in one of the user memories for later recail if needed. , C �� i{_�" J� C1� aG�:. � Automatic Feedback Suppression ��►O(,lL-� �L, � � i Aithough the graphic equa(izer can be used for feedback control, �.� � ' the EMX5016CF provides a Feedback Suppressor system that is ' ' dedicated to the job. The Feedback Suppressor works by detecting feedback frequencies on the stereo bus and applying precise notch fiiters to eliminate the feedback. The Feedback ! ' Suppressor has an automatic mode that automaticaily keeps ' i track of and attenuaYes feedback freque»cies for you, and a ' ` sensitive manuai mode that lets you pinpoint and attenuate ` feedback points one by one. I Multi-band "Maximizer" The "Maximizer" is an advanced 3-band compressor that can be applied to the stereo bus for a more punchy "up-front" overali sound. Simply press the maximize switch to instantly give the ; mix more presence and impact without sacrificing musicai ; ; subtlety. ; Dual Yamaha SAX effect processors i The EMX5016CF indudes not one but two top-performance ; Yamaha SPX digital effect processors buift in! You might onty need ambience effects such as reverb and delay for live sound ; applications — and the EMX5016CF mixer includes some of the http://pro-audio.musiciansfriend. com/product/Yamaha-EMX5016CF-S 115 V-SM 15 V-PA-S... 7/7/2010