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2010-12-01 P & R Agenda Packet
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2010-12-01 P & R Agenda Packet
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Buy Yamaha EMX5016CF / Sl 1SV / SM15V PA System � Live Sound Packages � Musici... Page 2 of 4 <br /> is provided on the eight mono channels with mid-frequency ' <br /> sweep controls. The mid EQ centes frequency can be continuously ! <br /> swept from 250 Hz through 5 kHz so you can precisely pinpoint ', <br /> ' frequencies in the criticai midrange. <br /> Ample I/O for expansion and integration �'� � ��,� (��, <br /> AN you need to create a powerfuf, high-perFormance five sound <br /> system is the Yamaha EMXSd16CF, a pair of speakers or two, and ' <br /> your sources. But iY does feature a range of inputs and outputs <br /> that al�ow it to be expanded with extemai gear or integrated into � ���n, (�/\-- �� (M � C�+ <br /> larger systems. Insert patch points on the mono input channels, <br /> for exampie, let you add outboard signat processing to individual (� <br /> : input channels. And although you have aIl the monitor power and ; C1@s� Q�C( ��rjC�� <br /> effects you're likely to need built in, exter�al aux and effect J <br /> sends allow you to route Yhe mixer's signals to external signal �/� � <br /> processing and/or monitor systems as required. 5tereo out, �� �r� <br /> stereo sub-out, and record outputs are also provided. ; F <br /> One-knob compression on mono channels ' <br /> 7he EMX5016CF features compressors on all monaural <br /> microphone/line channels that can help to make vocals ride the <br /> mix better, give you that smooth compressed guitar sound, <br /> deliver more punchy bass, and generaily refine your mixes in a <br /> multitude of ways. These unique one-knob compressors are . <br /> surprisingly simple to use. There are no multiple attack, <br /> threshold, makeup gain, and other controls — just seC the COMP <br /> control to the amount oF compression you need. <br /> 9-band digital graphic EQ with presets & memory <br /> This advanced digital 9-band stereo grephic equa�izer goes way . <br /> beyond conventional analog types with a refiRed controt � <br /> interface, instant-recall presets, and user memory locations. It , <br /> also works with the console's innovative Frequency Response I <br /> Correction sy9tem (see below) far unprecedented response- ' <br /> shaping control. Of course you can manually adjust each band as ,. I <br /> requtred from scratch, but you can also use one of the presets — ( , <br /> vocal, dance, or speech — as a starting point and edit from there. . �`�) I( �l� ���iu� �y1 1 L' <br /> You also have three user memories into which you can store your 1 <br /> own EQ curves for instant recall whenever needed. i <br /> (,.,� 1 C4-;:% <br /> FRC (Frequency Response Correction) System R-+�G�L� `(��c L� ��')� <br /> Setting a live sound system's output equalizer to optimally match ' � <br /> room response is normally a compiicated process requiring noise � <br /> generators, calibrated microphones, real-time analyzers, and a ' /� �( �{� �� �j � <br /> great deal of time and experience. The EMX5016CF mixing �l� \GL ��C �"^� �� <br /> console handies the entire process automatically, using either . � <br /> pink noise or a recorded music source you supply. To precisely ' I <br /> match the system's response to the room you're in all you need +�j� - C � v �„� y ,�� ,e`j( � <br /> to do is set up a microphone in an appropriate Iocation, connect it F�� , � j i <br /> to channel i, and press the measure/correct button once to make ' �S ��� C�Jq [J. � <br /> the measurement, and then again to automatically set the ��C- w. l,� �. �O D GJ <br /> graphic equalizer for optimized response. The EQ setting can then �� � <br /> be stored in one of the user memories for later recaif if needed. ���� i a� l� C1�. <br /> Automatic Feedback Suppression �i°LC(.CC--�- �� � � <br /> Although the qrephic equalizer can be used for feedback control, �� <br /> the EMX5016CF provides a Feedback Suppressor system that is ! <br /> dedicated to the job. The Feedback 5uppressor works by <br /> detecting feedback frequencies on the stereo bus and applying : <br /> precise notch filte�s to eliminate the feedback. The Feedback <br /> Suppressor has an automatic mode that automatically keeps ' <br /> track of and attenuates feedback frequencies for you, and a <br /> sensitive manual mode that lets you pinpoint and attenuate : <br /> feedback points one by one. <br /> Multi-band "Maximizer" <br /> The "Maximizer" is an advanced 3-band compressor that can be ' <br /> applied to the stereo bus for a more punchy "up-front" overeli <br /> sound. Simply press the maximize switch to instantiy give the <br /> mix more presence and impact without sacrificing musical <br /> subtlety. <br /> Dual Yamaha SPX effect processors ' <br /> The EMX5016CF includes not one but two top-performance <br /> Yamaha SPX digital effect processors huilt in! You might oniy ; <br /> need ambience effects such as reverb and delay for live sound ' <br /> applications — and the EMX5016CF mixer inciudes some of the <br /> http:f/pro-audio.musiciansfriend.com/productlYamaha-EMX5016CF-S 115 V-SM 15 V-PA-S... 7I7/2010 <br />
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