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<br />procession never stops or falters in its course. and we miss the auspicious hour. the chance is gone <br />forever. We may cast our longing eyes upon its retreating form. and curse our blindness and . <br />stupidity, but it is as utterly beyond recall as the day in whose arms it was borne. <br /> <br />If provision were made for future necessities by the preparation of a design arrangement whicb <br />should secure the most economical and convenient attainment of the objects which are of primary <br />importance. and at the same time the best esthetic effect of Which the natural feature.s 'Were <br />susceptible. It certainly 'Would operate as a strong inducement to attract immigrants if such a plan <br />were ,published. and they could see for themselves that their future wants and comfort had been <br />provided for. <br /> <br />So as with cities. not one of which would now pay largely to secure opportunities for public <br />improvements which might once have been had for a song. but whose purchase would have then <br />seemed a wild scheme. <br /> <br />, But purchase along .is notenougb. If simply bought and hetd for a rise. it may prevent neighboring <br />occupation; and thus depreciateinvaiue. Improvemenismust be added of such character as wiU <br />attract occupants by giving evidence that a broad and ~iberalspirit has been exeriedin prOViding <br />for thieir welfare and comfort. . , , . <br /> <br />The apology always offered is the poverty of a new settlement aJid ihedamand for all the means at <br />their disposal to meet the expenses of absolute necessity. But aHof th~ wind is taken out of that <br />slliJ by the fact that the true taste would be far less expensive than the present system, because it <br />would leave undisturbed sucbnaturalfeaturesas,could be preServed without~tualinconvenience. <br />and thus save much of what is commonly the most costly of the works of pUblic impr~ement. <br /> <br />Sir Uvedale Price in his "Essay on the Picturesque," temarks; "The dlaracteristicbeauties of a <br />village, as distinct from a city,are intricacy,variety, and play ofoutHne. Whatever is done should . <br />be done with a view to promote these objectives. The houses, therefore should be disposed with that <br />view, and sbo~ld differ as much in their disposition from those of a regularly built city, as the trees <br />which are meant to have the charactet' of natural groups should from those of an avenue.' Where ever <br />symmetry and exact lJniformityare introduced, those objects which produce a marked intricacy arid <br />variety must in genet'al be sacrificed. In an ~avenue. lor instance. sudden inequalities of ground, <br />with wild groups of trees and bushes, which are ornaments of forest scenery, would not accord with <br />the prevailing character." <br />