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� • <br />Bryan Lloyd <br />To: Thomas Paschke; Pat Trudgeon <br />Subject: RE: Sharing our concerns over the new senior co-op construction by the United Properties in. <br />Roseville <br />� <br />Ever since Sangwon Suh first unveiled his shadow study I have been outraged by the fact <br />that somebody who intentionally brings the significant intellectual influence of a <br />university professor has the audacity to present such a specious argument. But I've held <br />my tongue because I've never been sure where the line�is between my role as a <br />representative of the City and the contribution I can make as a thoughtful third-party at <br />a public meeting; I'll continue to be silent in pubiic, but I want you two to kr.ow my <br />thoughts in case you feel like there is an appropriate time and place to raise this issue. <br />I'm not insensitive to sun and shadows. I believe that his math is sqlid and that the sun <br />path diagram (first shown on slide 5) is valid. Slide 9 is where I have a problem. The <br />greyed area covering half of the yellow part of the diagram sugges'ts that when the sun <br />goes below the magic angle, the solar access rights 11 o those properties in the <br />neighborhood to the north have been trampled - even w en he slightest corner in the back <br />yard of only one of those properties has a shadow cast upon it at sunrise or sunset. <br />Professor Suh has apparently opted for the simpler and more inflammatory assertion that <br />any shadow is a total shadow that begins to deplete vitamin D which is so important for <br />the development of children's brains and cause Seasonal Affective Disorder; he has thus <br />far failed to acknowledge that there may be some nuance. And this make by blood boil. <br />Slides 13-15 illustrate the worst case scenario of the few days surrounding the Winter <br />Solstice; this isn't to be disregarded but, again, this is as bad as it gets. I also find <br />it curious that these three slide are presented in�such dark colors, giving the impression <br />that the whole area is already in deep shadow (but I'm willing to give him the benefit of <br />assuming that he couldn't control the brightness of the colors). <br />Bryan (Printed, not emailed) • <br />• <br />