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<br />.' <br /> <br />Art Department at the University of Minnesota, MiMeapolis alms to <br />reach beyond the surface formal aspects of the visual in her work. <br />Says the artist of, her work, "By working in oppositlon to the <br />traditional conceptions of pattern as merely beautiful omamentation, <br />I hope that it will become aesier to see how pattern not only <br />enhances our dally lives, but also marks and defines our class and <br />gender: <br /> <br /> <br />In the paintings of Alexis Kuhr, the world is a c:oncoc:tion <br />of fractured images - dots, lines, morsels of color, light, and dark. <br /> <br />Artist Jeannine Spooner <br />Kitzhaber brings the viewer a <br />fresh look at objects usually <br />tied to domesticity. Aprons, <br />pickles, and bowls of fMJit, <br />evoke a significance beyond <br />the mundane. Juxtapositions <br />of dress forms with <br />references to "high" art are <br />playful meditatoins on the <br />tl'Cll'\Sient, speculative, nature <br />of art and the weight and <br />heft of womanly practicality <br />as represented by the female <br />form. Kitzhaber's two and <br />three-dimensional objects <br />are finely crafted, multi- <br />layered works which make use <br />of a variety of unexpected <br />materials. <br /> <br /> <br />"Stilt Life With Fruit" <br />is a plaster cast and mixed media. <br /> <br />"When you look at CII'I image that's based on a familiar painting or <br />sculpture taken out of context and placed in another familiar but ", <br />surprising milieu, something shifts. rm interested in how <br />perceptions of both worlds change and how one affects ~he other; <br />how the inherent meaning in objects and what they traditionally <br />represent can be altered; says the artist, Kitzhaber, who resides in <br />Coon Rapids, works out of the Rossmoor building in St.Paul. She <br />teaches and works as part-time art programs coordinator at BLCA <br />and as Q research technician for the University of Minnesota. <br /> <br />An opening reception was held for the artists . on Friday, April 26 <br />from 7 to 9 pm. The event and exhibition are fee and open to the <br />public. Please call the Center at 763-574-1850 for more information. <br />Center hours are Tuesday through Saturday 10 am to 4 pm. <br /> <br />Oak Wilt Control Generates Firewood <br /> <br />Oak wilt (CeratocystJs fagaearum) Is an unfortunate tree disease <br />that causes frequent and widespread mortaUty among various <br />species of oak trees throughout the United States In a region <br />primarily delimited by Minnesota, Texas, South CaroUna, and <br />Pennsylvania. Approximately 20 species of oak and also OtInese <br />chestnut are considered to be susceptible to oak wilt Species In <br />the red oak group are more susceptible to the disease relative to <br />those species In the white oak group which have proven to be <br />more resistant <br /> <br />Anoka County Is especially wlnerable to oak wilt disease because <br />of the abundant oak forests In the landscape which are <br />dominated by species of the red oak group such as northern pin <br />oak and northern red oak. The oak wilt fungus enters the host <br />tree through a bark penetrating wound between April and June <br />and once the fungus enters the tree It can rapidly spread through <br />the roots and Infect surrounding oak trees that share a common <br />root system. <br /> <br />Within the Anoka County Parks System, several (100 - 300) oak <br />trees are lost each year due to oak wilt The Infected trees var.y <br />In size from 2 Inches up to approximately 30 Inches In diameter. <br /> <br />In 2001, an exceptionally high level of Infection was recorded <br />with a total of 2n oaks that were Identified as dying from oak <br />wilt disease. The Parks and Reaeation Department practices the <br />best known management prescription to control oak wUt which <br />Involves severing the root systems between Infected trees and the <br />healthy trees to prevent further underground spread of the <br />disease. To prevent the overland spread, pruning and or <br />construction that may cause wounds Is avoided between April and <br />July due to the w1nerable Inoculation window. In addition, the <br />proper sanitation If oak wood that has potential to produce spores <br />Is a~ a aitical element to reduce the threat of overland spread <br />during the spring months. <br /> <br /> <br />In 2001, an,exceptional high level ofin1ection was recorded. ' <br /> <br />Page s <br />