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<br />I <br />I <br />I <br />I <br />I <br />I <br />I <br />I <br />I <br />I <br />,I <br />I, <br />I <br />I <br />I <br />1,1 <br />I <br />I <br />I <br /> <br />ACOUSTIC DIMENSIONS <br /> <br />JI <br /> <br />141 Halstead Avenue. Mamaroneck. NY 10543 <br />Phone: (914) 698-3834 · Fax: (914) 698-7938 <br /> <br />October 21, 1994 <br /> <br />Roseville Planning Commission <br />Roseville City Hall <br />2660 Civic Center Drive <br />Roseville, MN 55113 <br /> <br />Subject: <br /> <br />Acoustics and its Relation to Building Height <br />Roseville Lutberan Cburcb Variance Planning File 2708 <br /> <br />Dear Commissioners: <br /> <br />I am David Kahn, Principal acoustician with Acoustic Dimensions C'AD"). Our firm has been <br />consulting with Roseville Lutheran Congregation (flRLC") and Hammel Green & Abrahamson, <br />Architects, ("HGA ") for the past thirteen months concerning the acoustic and audio design of <br />the Church's proposed Worship Center and Gathering Space addition. AD provides acoustic <br />consulting services throughout The United States. It specializes its practice in the acoustical <br />design of churches, auditoriums, concert facilities and arenas, where patrons gather to hear the <br />spoken word and musical presentation. Recent examples of our projects in the Midwest <br />include the Ted Mann Concert Hall at the University of Minnesota, Central Baptist Church in <br />Sioux Falls, SD, and the new Auditorium at the Chaska High School (MN). <br /> <br />This letter is in response to your request for additional information about the relationship <br />between the design height of the proposed Worship Center and its acoustical requirements. <br /> <br />The Worship Center's design has followed directly from RLC's inventory of the existing and <br />future uses for which this Worship Center is being constructed. Roseville Lutheran Church <br />has a fifty-year heritage of worship as a religious congregation. Music and religious drama <br />have been, and in the future will be, and integral part ofRLC's liturgy. The music style <br />includes choral and pipe organ worship expression, accompaniment by orchestra instruments, <br />and congregational singing. Thus, as with most churches, design requirements include <br />providing a structure that supports musical and spoken religious expression. <br /> <br />One critical requirement for church music is reverberation. Reverberation creates the desirable <br />characteristics of "bloom II and envelopment, II which reinforces the sense of shared experience, <br />community in worship, responsiveness and the Ethereal. <br /> <br />Reverberation is a physical phenomena, influenced by the location of reflecting surfaces, and <br />the hardness of these surfaces. The principal determmant of a sanctuary's reverberation, <br />however, is the volume, or the distance between the reflecting surfaces. Seating design <br />requirements spell out the distance between the Worship Center's walls. Thus, establishing the <br />correct ceiling height is essential to providing the required amount of desirable reverberation. <br />Reverberation and the other characteristics of good acoustics are an integral part of the <br />functionality of this church building design. <br /> <br />Dallas Office: 1 <br />15505 Wright Brothers Drive, Suite 5' Dallas, TX 75244 <br />Phone: (214) 239- 1505' Fax: (214) 239-1504 <br />