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"ihe insertion �peorance as an additional crite�io� . . . " �
<br />�,± PROPOSAL: ROUTE SELECTIOi� :
<br />,:�; ; '
<br />'� Presenily the process of selecting o route fo� a transmission line or its expan-
<br />i`� ` sion begins with the plotNng of severa) alfernole roufes. Estimates of cosl,
<br />��.1j , rehability, maintenance and accessibility of �ach possible route are weighed
<br />,:; ( and lhe r�oute finally selecfed. To our knowledge, little effort has been made
<br />7�,.�„ , to odd appeorance to that Iist of criteria, until recenNy. It would be a com-
<br />;�.r parotively simple matter to review the various alternates on the basis of the
<br />�,; � degree of visibility frort� a public area.
<br />'� The visual impact of transmission on Ihe naturol landscape is devastating. � 1ts
<br />�`' �� persistent disregard of lhe natural ro!I of the terroin and forest londs makes it
<br />�:^j; prone b public and individual dissent. The inse�tion of oppearance as an
<br />,�:'i .r� addifional criterion would not only ossist in reducing potential complalnt areas,
<br />x: � '� but also would serve to soften the visual interruNtion of the natural scene for
<br />��� . - the traveler.
<br />j ,.
<br />`�� We recommend that in the selecilon of a transmission line route, the following
<br />�j
<br />�� ,
<br />�s. 5' crlteria be added to the list: `
<br />�''' ;'�' ��' • Avoid routing a line along the top of a range of hills; especi�rlly when it is �
<br />��,�«,` �n �K .; vlsible from the highway, body of water, park or populated area. Thls would
<br />� � ���
<br />'� y ' mean increased use of valleys, canyons and dr4ws. ;
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<br />����'��.' t�r '�; + Wher�ver possible, avoid the sky as a background for the lowers: Simple 2 ,- ��;
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<br />��. �,-��, �d �� ��:: 3 �placement of structures in front of a groveof trees ar bank of hills is extremely � 4, } s��
<br />�� ��`'����� � Fr ' , 'effective in reclucing their imp�ct on the scene. `s , ��ti ���
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<br />�} x��RY�trf'7 ,> r� ,^ •'In the open desert and plains, allow the line to contribute a positive` feature < <x ,'`�
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<br />`" �:�;�����' s; e` `' to'� an otherwise, rrioRotonous :view. by Eespeding naturnl: tHanges. of e.levotion '
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<br />:'� ar� �rN�y ,,, arod by pcovlding a change of sce�e alo�g the � htgh,way. It can �often be a very �, �` ', _�
<br />�ry �'�� � l R ', , . . �. . . . . . . .
<br />���r �`,� � dramaPic eveni'" to .foNaw.a 'line circuit, swBnging flcross the landscape whife �k4 a, ���
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